Øistein Sommerfeldt, Caroline Eidsten Dahl's 'Sonatina for treble recorder, Op. 47: II. Largo' came out on December 9, 2014. With Sonatina for treble recorder, Op. 47: II. Largo being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 19 in Blockbird (Norwegian Recorder Music) by Caroline Eidsten Dahl. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. In terms of popularity, Sonatina for treble recorder, Op. 47: II. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonatina for treble recorder, Op. 47: II. Largo by Øistein Sommerfeldt, Caroline Eidsten Dahl is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in B flat, Op. 3, No. 2: 2. Largo | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
Sonata No. 41 in fa maggiore. Allegro (Transcr. and embellishments by Luca Astolfoni Fossi) | Domenico Cimarosa, Claudio Ferrarini | G Major | 2 | 9B | 91 BPM | ||
Charpentier: Magnificat, H. 74: Prélude | Marc-Antoine Charpentier, Philip Ledger, Academy of St. Martin in the Fields | A Minor | 1 | 8A | 115 BPM | ||
Abbey Road concerto for Violin and Orchestra: VIII. Here Comes The Sun | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
25 Études faciles et progressives, Op. 100: No. 4, Petite réunion | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 124 BPM | ||
Kleine Kammermusik, Op. 24, No. 2: 5. Sehr lebhaft | Paul Hindemith, Omega Ensemble | A Major | 1 | 11B | 107 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | G Major | 0 | 9B | 131 BPM | ||
Biber: Sonata a 7 | Heinrich Ignaz Franz von Biber, Amsterdam Baroque Orchestra, Ton Koopman | D♭ Major | 1 | 3B | 79 BPM | ||
Divertimento, Op. 9: III. Scherzo | Øistein Sommerfeldt, Gunilla von Bahr | C Major | 1 | 8B | 76 BPM | ||
Aria dalla Germania: "Du, du liegst mir im Herzen" Op.22: VIII. Variazione VI Allegretto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | E Major | 3 | 12B | 145 BPM |
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