"25 Études faciles et progressives, Op. 100: No. 4, Petite réunion" by Franz Burgmüller, The Gerst Ensemble was released on June 1, 2020. With 25 Études faciles et progressives, Op. 100: No. 4, Petite réunion being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 25 in Classical Folder Burgmüller by Franz Burgmüller, The Gerst Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, 25 Études faciles et progressives, Op. 100: No. 4, Petite réunion's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 25 Études faciles et progressives, Op. 100: No. 4, Petite réunion by Franz Burgmüller, The Gerst Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Fischer und das Milchmädchen: IXa. Pas de deux | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVI. Toccata (Allegro) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 6, Variation de la neige - No. 7, Coda | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Magyar gyermek- és népdalok: No. 3, Tavaszi szél | Leó Weiner, Budapest Symphony Orchestra MAV, Valeria Csanyi | C Major | 0 | 8B | 145 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Symphony Fantastique in C Major, Op 14: II. Un Bal - Allegro non troppo | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | D Major | 4 | 10B | 125 BPM | ||
Sinfonía 39 Simbad el marino: 3. La isla de diamantes | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 94 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Wood Music - Concerto pour quintette à vent et orchestre | Olivier Calmel, Scoring Orchestra, Aurélien Azan Zielinski, Mayu Sato-Brémaud, Annelise Clément, Baptiste Gibier, Cyril Normand, Frank Sibold | B Major | 0 | 1B | 67 BPM |
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