"Song of Songs No. 15: Surge, Propera, Amica Mea" by Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers was released on August 28, 2015. The duration of Song of Songs No. 15: Surge, Propera, Amica Mea is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Song of Songs No. 15: Surge, Propera, Amica Mea's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "The Wedding Collection: Music for Weddings and Civil Ceremonies". In this album, this song's track order is #12. In terms of popularity, Song of Songs No. 15: Surge, Propera, Amica Mea is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Song of Songs No. 15: Surge, Propera, Amica Mea by Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Papae Marcelli: Agnus Dei I - II | Giovanni Pierluigi da Palestrina, The Choir Of Westminster Abbey, Simon Preston | B♭ Major | 1 | 6B | 71 BPM | ||
3 Carol-Anthems: No. 1, Here Is the Little Door | Herbert Howells, Owain Park, The Gesualdo Six | C Minor | 2 | 5A | 81 BPM | ||
3 Chansons de Charles d'Orleans: Trois Chansons de Charles d'Orleans: Dieu! Qu'il la fait bon regarder! | Claude Debussy, Stephen Ralls, Tafelmusik Chamber Choir | A♭ Minor | 0 | 1A | 76 BPM | ||
Tuba sacre fidei - In arboris (Arr. Harre-Jones) | Philippe de Vitry, Orlando Consort | G Major | 1 | 9B | 139 BPM | ||
Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
Chansons: De plus en plus se renouvelle | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Major | 0 | 4B | 69 BPM | ||
Kyrie: III. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
If Ye Love Me | Sexteto Cantábile | F Major | 1 | 7B | 93 BPM | ||
Palestrina : Motets, Book 4, 'Canticum canticorum' : Nigra sum, sed formosa | Giovanni Pierluigi da Palestrina, Chanticleer | F Minor | 1 | 4A | 88 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM |
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