Philippe de Vitry, Orlando Consort's 'Tuba sacre fidei - In arboris (Arr. Harre-Jones)' came out on January 1, 1991. The duration of Tuba sacre fidei - In arboris (Arr. Harre-Jones) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Tuba sacre fidei - In arboris (Arr. Harre-Jones)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Philippe De Vitry and the Ars Nova". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Tuba sacre fidei - In arboris (Arr. Harre-Jones)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tuba sacre fidei - In arboris (Arr. Harre-Jones) by Philippe de Vitry, Orlando Consort having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
Mouton: Ave Maria, Virgo Serena - 1. Ave Maria, Gratia Plena | Jean Mouton, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 82 BPM | ||
Opening Psalm (Greek Chant, Harmonized By A. Lvov) | S. Serafimovich, F. Stroganov, Ascention Church Choir (Maloe), Moscow | G Major | 1 | 9B | 78 BPM | ||
Sancta Maria succure miseris | Francisco de Peñalosa, New York Polyphony | A Minor | 3 | 8A | 106 BPM | ||
Je ne cesse de prier "Le lay de la fonteinne", Lay 16 a 3: IV. C'est celle qui par ordonnance | Guillaume de Machaut, Orlando Consort | C Major | 2 | 8B | 67 BPM | ||
L'autrier jost'una sebissa | Marcabru, La Reverdie | G Major | 1 | 9B | 178 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
Donnez, signeurs, Ballade 26 a 3: III. Quant princes est loiaus, larges, humeins | Guillaume de Machaut, Orlando Consort | E Major | 1 | 12B | 83 BPM | ||
Missa "De plus en plus": Sanctus | Johannes Ockeghem, Orlando Consort | C Major | 1 | 8B | 77 BPM | ||
Pues Que Tú, Reina del Çielo | Juan del Encina, The Rose Ensemble, Tim O'Brien, Kristine Kautzman, Lisa Drew, Eric Betthauser, Jordan Sramek | E Minor | 1 | 9A | 172 BPM |
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