Antoine Reicha, Ivan Ilic's 'Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 2, Andante' had a release date set for September 1, 2018. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Reicha Rediscovered, Vol. 2". In this album, this song's track order is #3. In terms of popularity, Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 2, Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 2, Andante by Antoine Reicha, Ivan Ilic having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concertino in G Major, Bryan G5: II. Minuetto. Moderato | Johann Baptist Vanhal, Vojtěch Podroužek, Jan Karas, Magdaléna Kutišová, Libor Ježek, Pavla Honsová, David Matoušek, Petr Kupčák, Michael Halasz | G Major | 1 | 9B | 117 BPM | ||
Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
Requiem: Lacrimosa | Antoine Reicha, L'Armonia Terrena, Zdenek Klauda, Emőke Baráth, Markéta Cukrová, Krystian Adam, Tomáš Šelc | G Minor | 1 | 6A | 88 BPM | ||
Symphony in D Major, G. 490: III. Allegro | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | C Major | 1 | 8B | 134 BPM | ||
Sonata in G Major, Kk. 427 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Scarlatti, D: Keyboard Sonata in A Major, Kk. 209 | Domenico Scarlatti, Christian Zacharias | B♭ Major | 2 | 6B | 158 BPM | ||
Symphony No. 70 in D Major, Hob.I:70: III. Menuet: Allegretto | Joseph Haydn, Heidelberg Symphony Orchestra, Thomas Fey | D Major | 1 | 10B | 112 BPM | ||
Roumanian Folk Dances (Román Népi Táncok): IV: From Bucium (Buceameana) | The Royal Wind Music | E♭ Minor | 0 | 2A | 62 BPM | ||
Armida, Atto Secondo Scena 2: Ballo | Antonio Salieri, Les Talens Lyriques, Christophe Rousset | G Major | 0 | 9B | 65 BPM | ||
Piano Concerto No. 7 for 3 Pianos in F Major, K. 242 "Lodron": I. Allegro | Wolfgang Amadeus Mozart, Karin Kei Nagano, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | D Major | 2 | 10B | 114 BPM |