"La Juive / Act 4: Rachel, quand du Seigneur la grâce tutélaire" by Fromental Halévy, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy was released on January 1, 2006. Since La Juive / Act 4: Rachel, quand du Seigneur la grâce tutélaire is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Viva Opéra ! by Roberto Alagna. The song's track number on the album is #11 out of 37 tracks. La Juive / Act 4: Rachel, quand du Seigneur la grâce tutélaire is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La Juive / Act 4: Rachel, quand du Seigneur la grâce tutélaire by Fromental Halévy, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Bertrand de Billy has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La Juive / Act 4: Rachel, quand du Seigneur la grâce tutélaire being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 111 BPM | ||
Puccini: Turandot, Act 2: "Addio, amore! Addio, razza!" (Coro, Pong, Pang, Ping) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 1 | 5B | 138 BPM | ||
Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
La Gioconda, Act II, Scene 4: Cielo e mar! | Amilcare Ponchielli, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Les Pêcheurs de perles, WD 13, Act III: Sombres divinités | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Julie Fuchs, Luc Bertin-Hugault | G Major | 1 | 9B | 176 BPM | ||
Cavalleria rusticana: Part I: Dite, mamma Lucia (Santuzza, Lucia) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Minor | 1 | 9A | 81 BPM | ||
Mélodies persanes, Op. 26: No. 2, La Splendeur vide | Camille Saint-Saëns, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Las Golondrinas, Final, II parte: "¡Oh, Puck, por ti mi corazón!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Lohengrin, WWV 75 / Act II: "Mein Held, entgegne kühn dem Ungetreuen" | Richard Wagner, Kurt Moll, Siegfried Jerusalem, Hartmut Welker, Cheryl Studer, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | A Minor | 0 | 8A | 137 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Ô malheureuse Iphigénie !" (Iphigénie, Chœur) | Christoph Willibald Gluck, Georges Prêtre, Choeur René Duclos, Rita Gorr, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM |
Section: 0.7608513832092285
End: 0.7655808925628662