Ton Koopman's 'Dorische Toccata Und Fuge In D-moll, BWV 538: Toccata' came out on June 1, 1988. With this song being about 5 minutes long, at 4:48, "Dorische Toccata Und Fuge In D-moll, BWV 538: Toccata" by Ton Koopman is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ton Koopman's "Johann Sebastian Bach: Orgelwerke III" album is number 1 out of 11. Dorische Toccata Und Fuge In D-moll, BWV 538: Toccata is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dorische Toccata Und Fuge In D-moll, BWV 538: Toccata by Ton Koopman to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaudent in caelis | Asprilio Pacelli, Mark Williams, Eamonn Dougan, The Sixteen | F Major | 2 | 7B | 101 BPM | ||
Cello Concerto in D Major, G. 476: II. Largo | Luigi Boccherini, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | E Minor | 1 | 9A | 74 BPM | ||
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Antonio Vivaldi, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | A Major | 0 | 11B | 84 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
Haydn: Violin Concerto in G Major, Hob. VIIa, 4: I. Allegro moderato | Franz Joseph Haydn, Maxim Emelyanychev, Riccardo Minasi, Il Pomo D'oro | F♯ Major | 4 | 2B | 84 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: IV. Bourée | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 129 BPM | ||
Salomon, HWV 67: Arrival of the Queen of Sheba: Sinfonia | English Chamber Orchestra, Sir Charles Mackerras | B♭ Major | 2 | 6B | 122 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth" (Choir) | Johannes Brahms, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 1. Ouverture | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 3 | 3B | 128 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Major | 3 | 3B | 163 BPM |
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