On 2010, the song "Bach Orchestral Suite No.2 in B Minor, BWV 1076: IV. Bourée" was released by London Conchord Ensemble, Florian Uhlig. With Bach Orchestral Suite No.2 in B Minor, BWV 1076: IV. Bourée being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 27 in Bach: Suite No. 2 in B Minor, Concerto in A Major, Concerto in C Minor, Concerto in D Minor, Brandenburg Concertos No. 2, 3 & 4 by London Conchord Ensemble, Florian Uhlig. Based on our statistics, Bach Orchestral Suite No.2 in B Minor, BWV 1076: IV. Bourée's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bach Orchestral Suite No.2 in B Minor, BWV 1076: IV. Bourée by London Conchord Ensemble, Florian Uhlig is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 1. Intrada | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | A Major | 2 | 11B | 109 BPM | ||
Cello Concerto No.4 in D Major, Hob. VIIb/2: I. Allegro | Franz Joseph Haydn, Gautier Capuçon, Mahler Chamber Orchestra, Daniel Harding | D Major | 1 | 10B | 131 BPM | ||
Symphony in B Minor, Wq. 182, No. 5: III. Presto | Carl Philipp Emanuel Bach, Orchestra of the Age of Enlightenment, Rebecca Miller | D♭ Major | 2 | 3B | 93 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 2 | 1B | 119 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Trio for Piano, Oboe and Bassoon: Rondo - Très vif | London Conchord Ensemble | D♭ Major | 2 | 3B | 74 BPM | ||
Daphnis et Chloé, Fragments symphoniques, M. 57c/3: III. Scene de Daphnis et de Chloe | Maurice Ravel, Florian Uhlig | D♭ Major | 0 | 3B | 110 BPM | ||
Cello Sonata in G Major, G. 5: II. Largo | Luigi Boccherini, Christian Benda, Sebastian Benda | G Major | 1 | 9B | 182 BPM | ||
Concerto for 2 Flutes in C Major, RV 533: I. Allegro molto | Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas Kraemer | D Major | 3 | 10B | 123 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM |
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