On April 5, 2024, the song "Organ Sonata No. 6 in G Major, BWV 530 (Arr. for Recorder & Harpsichord by Lorenzo Cavasanti & Alessandro Padoan): I. Vivace" was released by Johann Sebastian Bach, Lorenzo Cavasanti, Alessandro Padoan. The duration of Organ Sonata No. 6 in G Major, BWV 530 (Arr. for Recorder & Harpsichord by Lorenzo Cavasanti & Alessandro Padoan): I. Vivace is about 3 minutes long, at 3:22. Based on our data, "Organ Sonata No. 6 in G Major, BWV 530 (Arr. for Recorder & Harpsichord by Lorenzo Cavasanti & Alessandro Padoan): I. Vivace" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 14 in From Köthen to Leipzig by Johann Sebastian Bach, Lorenzo Cavasanti, Alessandro Padoan. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Organ Sonata No. 6 in G Major, BWV 530 (Arr. for Recorder & Harpsichord by Lorenzo Cavasanti & Alessandro Padoan): I. Vivace is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Organ Sonata No. 6 in G Major, BWV 530 (Arr. for Recorder & Harpsichord by Lorenzo Cavasanti & Alessandro Padoan): I. Vivace by Johann Sebastian Bach, Lorenzo Cavasanti, Alessandro Padoan is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita No. 1 in B-Flat Major, BWV 825: III. Courante | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM | ||
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Cello Concerto in C Major, RV 398: II. Largo | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | A Minor | 0 | 8A | 115 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | D♭ Minor | 0 | 12A | 108 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. Allegro | Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | C Major | 2 | 8B | 83 BPM |
Section: 0.7277698516845703
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