W. S. Gilbert & Arthur Sullivan, Rebecca Hains's 'The Sun, Whose Rays Are All Ablaze' came out on January 1, 2007. The duration of The Sun, Whose Rays Are All Ablaze is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. The Sun, Whose Rays Are All Ablaze's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Gilbert & Sullivan Soprano Arias". In this album, this song's track order is #12. Based on our statistics, The Sun, Whose Rays Are All Ablaze's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Sun, Whose Rays Are All Ablaze by W. S. Gilbert & Arthur Sullivan, Rebecca Hains having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass A Theatre Piece for Singers, Players and Dancers I: II. First Introit (Rondo): 1. Prefatory Prayers | Leonard Bernstein | D♭ Major | 0 | 3B | 93 BPM | ||
Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
A World in Mourning | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
The Mikado | Gilbert & Sullivan, The D'Oyly Carte Opera Company, Martyn Green, Isidore Godfrey | A♭ Major | 1 | 4B | 100 BPM | ||
Misatango, Misa a Buenos Aires: III. Gloria | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 82 BPM | ||
The Psalms | Harmonious Chorale Ghana | D♭ Minor | 6 | 12A | 108 BPM | ||
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
The Mikado: Act One, "As In a Month You've Got to Die" | Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey | E♭ Major | 3 | 5B | 134 BPM | ||
The Pirates of Penzance: When the Foe-Man Bares His Steel | Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith | D Major | 3 | 10B | 59 BPM | ||
A Piper | Charlotte Hoather, George Todica | G Major | 3 | 9B | 76 BPM |
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