"Giselle / Act 1: No. 8(bis) Final" by Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1962. Giselle / Act 1: No. 8(bis) Final is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The song is number 11 out of 19 in Adam: Giselle by Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan. Based on our statistics, Giselle / Act 1: No. 8(bis) Final's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giselle / Act 1: No. 8(bis) Final by Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64 (Excerpts): Death of Juliet | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 1 | 8B | 75 BPM | ||
Romeo and Juliet, Op. 64: No. 19 Balcony Scene | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | D♭ Major | 0 | 3B | 88 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
Don Quixote: Act IV: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 1 | 5B | 106 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Paquita: Variation 1: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E Major | 0 | 12B | 182 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: III. Allegro assai | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 123 BPM | ||
La Bayadere: Variation 1: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 130 BPM |
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