Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Cyril Auvity, Fabien Armengaud made "Motet pour la canonisation de Saint Pie, C. 150: VI. Toto hinc terris" available on October 21, 2016. With Motet pour la canonisation de Saint Pie, C. 150: VI. Toto hinc terris being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 6 out of 30 in Clérambault : Motets à trois voix d’hommes et symphonies by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Fabien Armengaud. Based on our statistics, Motet pour la canonisation de Saint Pie, C. 150: VI. Toto hinc terris's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Motet pour la canonisation de Saint Pie, C. 150: VI. Toto hinc terris by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Cyril Auvity, Fabien Armengaud is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Caractères de la Danse: XIV. Sonate | Jean-Féry Rebel, Jordi Savall | D♭ Major | 6 | 3B | 138 BPM | ||
Messe de requiem: II. Kyrie | André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale | E♭ Minor | 2 | 2A | 111 BPM | ||
Ariadne Musica: No. 2, Prelude & Fugue in C-Sharp Minor | Johann Caspar Ferdinand Fischer, Andreas Staier | C Minor | 2 | 5A | 124 BPM | ||
Trio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Sarabande pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Major | 0 | 4B | 84 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM | ||
Concerto grosso in B-Flat Major, Op. 1 No.3: II. Allegro | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 3 | 11B | 99 BPM | ||
Concerto à più istrumenti, Op. 6, Concerto No. 5 in G Major: I. Allegro e vivace asai | Evaristo Felice Dall'Abaco, Davide Monti, Accademia Strumentale Italiana, Alberto Rasi | F♯ Minor | 1 | 11A | 94 BPM | ||
Sonata in F Major, Op. 2, No. 12, SF 767: IV. Largo | Benedetto Marcello, Dorothee Oberlinger | B♭ Minor | 2 | 3A | 64 BPM | ||
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM |
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