Motet pour la canonisation de Saint Pie, C. 150: VI. Toto hinc terris
Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Cyril Auvity, Fabien Armengaud
Clérambault : Motets à trois voix d’hommes et symphonies
0:30 October 21, 2016
BPM
141
Key
F Major
Camelot
7B

Embed

Share Link

Motet pour la canonisation de Saint Pie, C. 150: VI. Toto hinc terris - Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Cyril Auvity, Fabien Armengaud Information

Acousticness
95%
Danceability
32%
Energy
19%
Instrumentalness
0%
Liveness
27%
Loudness
65%
Speechiness
5%
Valence
53%
Popularity
Loudness
-20.908 dB

Summary

Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Cyril Auvity, Fabien Armengaud made "Motet pour la canonisation de Saint Pie, C. 150: VI. Toto hinc terris" available on October 21, 2016. With Motet pour la canonisation de Saint Pie, C. 150: VI. Toto hinc terris being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 6 out of 30 in Clérambault : Motets à trois voix d’hommes et symphonies by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Fabien Armengaud. Based on our statistics, Motet pour la canonisation de Saint Pie, C. 150: VI. Toto hinc terris's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Motet pour la canonisation de Saint Pie, C. 150: VI. Toto hinc terris BPM

The tempo marking of Motet pour la canonisation de Saint Pie, C. 150: VI. Toto hinc terris by Louis-Nicolas Clérambault, Ensemble Sébastien de Brossard, Jean-François Novelli, Cyril Auvity, Fabien Armengaud is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.

Motet pour la canonisation de Saint Pie, C. 150: VI. Toto hinc terris Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Les Caractères de la Danse: XIV. Sonate by Jean-Féry Rebel, Jordi SavallLes Caractères de la Danse: XIV. SonateJean-Féry Rebel, Jordi SavallD♭ Major63B138 BPM
Messe de requiem: II. Kyrie by André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle RoyaleMesse de requiem: II. KyrieAndré Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle RoyaleE♭ Minor22A111 BPM
Ariadne Musica: No. 2, Prelude & Fugue in C-Sharp Minor by Johann Caspar Ferdinand Fischer, Andreas StaierAriadne Musica: No. 2, Prelude & Fugue in C-Sharp MinorJohann Caspar Ferdinand Fischer, Andreas StaierC Minor25A124 BPM
Trio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio by Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes PramsohlerTrio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 1 in E Minor: I. AdagioJean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes PramsohlerC Major18B97 BPM
Scylla et Glaucus, Op. 11: Prologue. Sarabande pour les Peuples d’Amathonte by Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy VashegyiScylla et Glaucus, Op. 11: Prologue. Sarabande pour les Peuples d’AmathonteJean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy VashegyiA♭ Major04B84 BPM
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion)Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam FeuersingerA♭ Minor21A96 BPM
Concerto grosso in B-Flat Major, Op. 1 No.3: II. Allegro by Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles ColliardConcerto grosso in B-Flat Major, Op. 1 No.3: II. AllegroPietro Locatelli, Orchestre De Chambre De Toulouse, Gilles ColliardA Major311B99 BPM
Concerto à più istrumenti, Op. 6, Concerto No. 5 in G Major: I. Allegro e vivace asai by Evaristo Felice Dall'Abaco, Davide Monti, Accademia Strumentale Italiana, Alberto RasiConcerto à più istrumenti, Op. 6, Concerto No. 5 in G Major: I. Allegro e vivace asaiEvaristo Felice Dall'Abaco, Davide Monti, Accademia Strumentale Italiana, Alberto RasiF♯ Minor111A94 BPM
Sonata in F Major, Op. 2, No. 12, SF 767: IV. Largo by Benedetto Marcello, Dorothee OberlingerSonata in F Major, Op. 2, No. 12, SF 767: IV. LargoBenedetto Marcello, Dorothee OberlingerB♭ Minor23A64 BPM
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen"Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger SpeckG Major29B129 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5684950351715088

End: 0.5718255043029785