"Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo" by Hector Berlioz, Michael Tilson Thomas, New York Philharmonic was released on January 5, 1998. Since Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 7 in Berlioz: Symphonie Fantastique: Classic Library Series by Hector Berlioz, Michael Tilson Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo by Hector Berlioz, Michael Tilson Thomas, New York Philharmonic is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Khachaturian: Violin Concerto in D Minor: III. Allegro vivace | Aram Khachaturian, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | D Major | 3 | 10B | 156 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Lohengrin: Treulich gefuhrt ziehet dahin | John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 70 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal - Live | Hector Berlioz, Bavarian Radio Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 88 BPM | ||
Debussy: Petite suite, CD 71, L. 65: III. Menuet (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | G Major | 1 | 9B | 103 BPM | ||
Berlioz: Les Troyens, Op. 29, H. 133, Act 1: "Quitte-nous dès ce soir" (Cassandre, Chorèbe) | Hector Berlioz, John Nelson, Marie-Nicole Lemieux, Stéphane Degout, Orchestre Philharmonique De Strasbourg | B Major | 3 | 1B | 112 BPM |
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