Maria Callas made "Libiamo Brindisila Traviata Acte1" available on March 3, 2003. The duration of Libiamo Brindisila Traviata Acte1 is about 3 minutes long, at 3:16. Based on our data, "Libiamo Brindisila Traviata Acte1" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Opera Arias & Duets". In this album, this song's track order is #3. In terms of popularity, Libiamo Brindisila Traviata Acte1 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Libiamo Brindisila Traviata Acte1 by Maria Callas having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Armida, Act 2: "D'amore al dolce impero" (Armida, Chorus) [Live] | Gioachino Rossini, Maria Callas, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | F Major | 4 | 7B | 71 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy hand, Belinda...When I am laid in earth" | Henry Purcell, Jessye Norman, English Chamber Orchestra, Raymond Leppard | G Minor | 1 | 6A | 131 BPM | ||
Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | ||
Gluck: Alceste, Wq. 37, Act 2: "Spendido sorge il di" (Chorus) [Live] | Christoph Willibald Gluck, Maria Callas, Carlo Maria Giulini, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 71 BPM | ||
Mefistofele, Act III: L'altra notte in fondo al mare | Arrigo Boito, Maria Callas, Philharmonia Orchestra, Tullio Serafin | D Major | 0 | 10B | 78 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, José Carreras, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E♭ Major | 2 | 5B | 102 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
Carmen, WD 31 / Act 1: Bizet: Carmen, WD 31: Près des remparts de Séville | Georges Bizet, Gaëlle Arquez, Orchestre National Bordeaux Aquitaine, Paul Daniel | D Major | 0 | 10B | 175 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Il dolce suono ... Ardon gli incensi" (Lucia, Raimondo, Normanno, Chorus) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | C Minor | 1 | 5A | 86 BPM |
Section: 0.5962073802947998
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