Temporal Variations for Oboe and Piano: V. Commination (Adagio con fuoco) - Benjamin Britten, François Leleux, Emmanuel Strosser Information

Acousticness: 97%
Danceability: 33%
Energy: 6%
Instrumentalness: 68%
Liveness: 19%
Loudness: 57%
Speechiness: 5%
Valence: 15%
Popularity: 1%
Loudness: -25.791 dB

Summary

"Temporal Variations for Oboe and Piano: V. Commination (Adagio con fuoco)" by Benjamin Britten, François Leleux, Emmanuel Strosser was released on 1995. With Temporal Variations for Oboe and Piano: V. Commination (Adagio con fuoco) being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 24 in Britten & Poulenc: Works for Oboe by François Leleux. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Temporal Variations for Oboe and Piano: V. Commination (Adagio con fuoco)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Temporal Variations for Oboe and Piano: V. Commination (Adagio con fuoco) BPM

The tempo marking of Temporal Variations for Oboe and Piano: V. Commination (Adagio con fuoco) by Benjamin Britten, François Leleux, Emmanuel Strosser is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Temporal Variations for Oboe and Piano: V. Commination (Adagio con fuoco) Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Requiem: I. Requiem Aeternam	Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea	A Minor	0	8A	85 BPM
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile	Franz Joseph Haydn, Alban Berg Quartett	B♭ Major	1	6B	101 BPM
La pentola magica, P. 129: Preludio	Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano	D Minor	0	7A	91 BPM
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !"	Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker	E♭ Major	4	5B	80 BPM
5 Stücke im Volkston, Op. 102: 2. Langsam	Robert Schumann, Mstislav Rostropovich, Benjamin Britten	G Major	0	9B	66 BPM
Pelléas et Mélisande, Op. 80: 4. Sicilienne	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	F Major	2	7B	98 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	A♭ Major	3	4B	161 BPM
Funeral Blues	Wystan Hugh Auden, Benjamin Britten, Sarah Walker, Roger Vignoles	C Minor	1	5A	63 BPM
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	E♭ Major	2	5B	69 BPM
Japanese Suite, Op. 33: II. Ceremonial Dance	Gustav Holst, Ulster Orchestra, Joann Falletta	D♭ Major	1	3B	108 BPM

ISRC: FRZ149513110
Label: L-M Records/RCA Records

Section: 0.7918639183044434

End: 0.7956652641296387