"Violin Sonata in G Minor, Op. 27 No. 1: I. Grave (Lento assai)" by Eugène Ysaÿe, Leonidas Kavakos was released on December 1, 1999. With this song being about 5 minutes long, at 5:25, "Violin Sonata in G Minor, Op. 27 No. 1: I. Grave (Lento assai)" by Eugène Ysaÿe, Leonidas Kavakos is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Ysaÿe: 6 Sonatas for Solo Violin, Op. 27 by Eugène Ysaÿe, Leonidas Kavakos. The song's track number on the album is #1 out of 15 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Violin Sonata in G Minor, Op. 27 No. 1: I. Grave (Lento assai) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Sonata in G Minor, Op. 27 No. 1: I. Grave (Lento assai) by Eugène Ysaÿe, Leonidas Kavakos has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Violin Sonata in G Minor, Op. 27 No. 1: I. Grave (Lento assai) being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Violin Sonata in D Minor, Op. 27 No. 3 "Ballade": Sonata No. 3 in D Minor, "Ballade" | Eugène Ysaÿe, Leonidas Kavakos | D Minor | 1 | 7A | 132 BPM | ||
Lyric Pieces Book X, Op. 71: No. 3 Puck | Edvard Grieg, Emil Gilels | B Major | 1 | 1B | 92 BPM | ||
6 Polyphonic Studies: No. 6, Concert Variations on the Irish Air "The Last Rose of Summer" | Heinrich Wilhelm Ernst, Maxim Vengerov | G Major | 1 | 9B | 100 BPM | ||
Introduction & Variations on Di tanti palpiti' from Rossini's Tancredi, Op. 13, "I Palpiti" | Niccolò Paganini, Roman Kim | A Major | 1 | 11B | 113 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | ||
Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | ||
Debussy: Piano Trio in G Major, L. 5: I. Andantino con moto allegro | Claude Debussy, Bertrand Chamayou | C Major | 1 | 8B | 80 BPM |
Section: 0.5647611618041992
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