"Cavalleria rusticana: "Beato voi, compar Alfio"" by Pietro Mascagni, Vera Baniewicz, Agnes Baltsa, Juan Pons, Philharmonia Orchestra, Giuseppe Sinopoli was released on January 1, 1990. With Cavalleria rusticana: "Beato voi, compar Alfio" being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pietro Mascagni, Philharmonia Orchestra, Giuseppe Sinopoli, Agnes Baltsa, Plácido Domingo, Vera Baniewicz, Juan Pons, Susanne Mentzer, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton's "Mascagni: Cavalleria Rusticana" album is number 9 out of 22. In terms of popularity, Cavalleria rusticana: "Beato voi, compar Alfio" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cavalleria rusticana: "Beato voi, compar Alfio" by Pietro Mascagni, Vera Baniewicz, Agnes Baltsa, Juan Pons, Philharmonia Orchestra, Giuseppe Sinopoli to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio | Johan Svendsen, Bournemouth Sinfonietta, Richard Studt | E Minor | 1 | 9A | 92 BPM | ||
Silvano: Barcarola | Pietro Mascagni, Teatro Lirico Orchestra, Tiziano Severini | E Major | 0 | 12B | 81 BPM | ||
Impromptu No. 3 in G-Flat Major, Op.90, D 899 | Clare Hammond | F♯ Major | 0 | 2B | 175 BPM |
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