Chanson de matin, Op. 15, No. 2 (arr. K. Smith and P. Rhodes for flute and piano) - Edward Elgar, Paul Rhodes, Kenneth Smith Information

Acousticness: 99%
Danceability: 31%
Energy: 4%
Instrumentalness: 90%
Liveness: 10%
Loudness: 52%
Speechiness: 5%
Valence: 18%
Popularity: 1%
Loudness: -29.058 dB

Summary

"Chanson de matin, Op. 15, No. 2 (arr. K. Smith and P. Rhodes for flute and piano)" by Edward Elgar, Paul Rhodes, Kenneth Smith was released on October 29, 2013. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 46 in the song's album "The Expressive Voice of the Flute". In this album, this song's track order is #2. Chanson de matin, Op. 15, No. 2 (arr. K. Smith and P. Rhodes for flute and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Chanson de matin, Op. 15, No. 2 (arr. K. Smith and P. Rhodes for flute and piano) BPM

With Chanson de matin, Op. 15, No. 2 (arr. K. Smith and P. Rhodes for flute and piano) by Edward Elgar, Paul Rhodes, Kenneth Smith having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Chanson de matin, Op. 15, No. 2 (arr. K. Smith and P. Rhodes for flute and piano) Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra)	Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar	E♭ Major	2	5B	66 BPM
Nocturne No. 10 In E Minor	Benjamin Frith, John Field	E Minor	0	9A	65 BPM
Serenade for Strings in E Minor, Op. 20: II. Larghetto	Edward Elgar, Orpheus Chamber Orchestra	A Minor	1	8A	109 BPM
Suite No. 3 in D Major, BWV 1068: II. Air	Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields	D Major	1	10B	89 BPM
24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop"	Frédéric Chopin, Evgeny Kissin	G Major	2	9B	101 BPM
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace	Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink	A Major	1	11B	179 BPM
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante	Ludwig van Beethoven, Mischa Maisky, Martha Argerich	C Major	0	8B	66 BPM
Thaïs: Méditation	Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero	D Major	0	10B	84 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings)	Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	B Minor	1	10A	87 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7429234981536865

End: 0.746474027633667