On June 6, 2013, the song "Tourdion for Lute & Bass Viol" was released by Adrien Le Roy, Geneva Baroque Duo. With Tourdion for Lute & Bass Viol being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Renaissance Music Recital, from Italy, France & England". In this album, this song's track order is #10. Tourdion for Lute & Bass Viol is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tourdion for Lute & Bass Viol by Adrien Le Roy, Geneva Baroque Duo having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
Pièces de violes, Livre IV: Gavotte II | Marin Marais, Gerald Stempfel, Thorsten Bleich | A♭ Minor | 2 | 1A | 42 BPM | ||
Folias (Imperfectas) [Harp] | La Capella Reial De Catalunya, Hespèrion XXI, Andrew Lawrence-King | A Minor | 0 | 8A | 78 BPM | ||
[Suite en la majeur]: I. Prélude (No. 17) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 0 | 4B | 112 BPM | ||
Susato: Het derdren musyck boexken "Danserye": Ronde VII "Il estoit une fillette" (D'après Janequin) | Tylman Susato, Michel Piguet, Ricercare-Ensemble Zürich | B♭ Major | 1 | 6B | 73 BPM | ||
Lute Sonata No. 6: III. Sarabanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 89 BPM | ||
Première Suytte de Branles d'Escosse | Pierre Attaingnant, The King's Noyse, David Douglass | E♭ Major | 1 | 5B | 98 BPM | ||
Le Roy: Branle IX (Da "Premier Livre de Tambulature de Guitarre") | Adrien Le Roy, Alfonso Baschiera | G Major | 2 | 9B | 67 BPM | ||
Tourdion for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | F♯ Minor | 1 | 11A | 88 BPM | ||
Galiarda Veneziana | The Royal Wind Music | B Major | 2 | 1B | 122 BPM |
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