Carl Orff, Shinyukai Choir, Berliner Philharmoniker, Seiji Ozawa made "Carmina Burana / Fortuna Imperatrix Mundi: II. Fortune plango vulnera" available on January 1, 1989. The duration of Carmina Burana / Fortuna Imperatrix Mundi: II. Fortune plango vulnera is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Carmina Burana / Fortuna Imperatrix Mundi: II. Fortune plango vulnera's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Carmina Burana / Fortuna Imperatrix Mundi: II. Fortune plango vulnera is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Carmina Burana / Fortuna Imperatrix Mundi: II. Fortune plango vulnera by Carl Orff, Shinyukai Choir, Berliner Philharmoniker, Seiji Ozawa having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rosen Aus Dem Süden, Op. 388 | Johann Strauss II, Chicago Symphony Orchestra, Fritz Reiner | A Major | 5 | 11B | 113 BPM | ||
Sinfonische Dichtung für großes Orchester, Op. 30: No. 1, Einleitung | Orquesta Sinfonica de Londres, Walter Kempe | F Major | 4 | 7B | 78 BPM | ||
Largo al factotum | Gioachino Rossini, Simon Keenlyside, Ulf Schirmer | C Major | 3 | 8B | 73 BPM | ||
Dies Irae | Giuseppe Verdi, Sir Georg Solti, Chicago Symphony Orchestra | G Major | 6 | 9B | 78 BPM | ||
Wagner: Lohengrin, WWV 75, Act 1: Prelude (Langsam) | Richard Wagner, Wiener Philharmoniker, Rudolf Kempe | A Major | 0 | 11B | 68 BPM | ||
Suite No. 2 for Jazz Orchestra: VII. Waltz II | Dmitri Shostakovich, Dmitri Kitayenko, Hr-sinfonieorchester | G Major | 1 | 9B | 104 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Carmina Burana: Tanz | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | C Major | 1 | 8B | 148 BPM |
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