"Sonatine for Flute and Orchestra" by Henri Dutilleux, John Wilson, Sinfonia Of London, Adam Walker was released on June 1, 2021. Since Sonatine for Flute and Orchestra is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 9 in Dutilleux: Le Loup, Sonatine, Sonate & Sarabande et Cortège by Henri Dutilleux, John Wilson, Sinfonia Of London, Adam Walker, Juliana Koch, Jonathan Davies. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Sonatine for Flute and Orchestra is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonatine for Flute and Orchestra by Henri Dutilleux, John Wilson, Sinfonia Of London, Adam Walker is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Summer Night - Suite from 'The Duenna', Op. 123: 1. Introduction | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 3 | 8B | 110 BPM | ||
Divertimento for Strings, Sz. 113: I. Allegro non troppo | Béla Bartók, Chicago Symphony Strings, Sir Georg Solti | B♭ Major | 2 | 6B | 108 BPM | ||
La jolie fille de Gand: No. 1 Andantino non troppo | Adolphe Adam, Queensland Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 70 BPM | ||
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM | ||
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
Chants d'Auvergne, Vol. 1: No. 3a. L'aio De Rotso (Spring Water) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | G Major | 1 | 9B | 186 BPM | ||
Sinfonietta No. 2: I. Notturno: Adagio | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 76 BPM |
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