"Last Tango in Bayreuth" by Peter Schickele, Tennessee Bassoon Quartet had its release date on September 1, 1992. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Last Tango in Bayreuth's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "P.D.Q. Bach: Music for an Awful Lot of Winds & Percussion". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United States. Last Tango in Bayreuth is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Last Tango in Bayreuth by Peter Schickele, Tennessee Bassoon Quartet having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in D Major: I. Andante comodo: No. 6, Bewegter | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Pelléas et Mélisande Suite, Op. 80: I. Prélude | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
25 Études faciles et progressives, Op. 100: No. 4, Petite réunion | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 124 BPM | ||
Viola Concerto "The Horizons": IV. Finale deciso | Patrick O'Malley, BBC Scottish Symphony Orchestra, Andrew Constantine, Brett Deubner | D Major | 1 | 10B | 86 BPM | ||
Hound Dog | Jerry Leiber, Mike Stoller, Peter Schickele | C Major | 0 | 8B | 65 BPM | ||
Violin Concerto: IV. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 1 | 8B | 171 BPM | ||
Symphony in Three Movements: I. ♩=160 | Igor Stravinsky, Orquesta Sinfónica de Galicia, Dima Slobodeniouk | G Major | 1 | 9B | 158 BPM | ||
Lip My Reeds, S. 32' | P.D.Q.Bach, Tennessee Bassoon Quartet | B♭ Major | 0 | 6B | 126 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: I | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM |