Anders Hillborg, Martin Fröst's 'Primal Blues' came out on December 4, 2015. With Primal Blues being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Roots". In this album, this song's track order is #17. Primal Blues is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Primal Blues by Anders Hillborg, Martin Fröst having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Intima miniatyrer, Op. 20: II. Allegro moderato | Lars-Erik Larsson, Stenhammar Quartet | G Minor | 0 | 6A | 94 BPM | ||
La Couperin (21e ordre) | François Couperin, Alexandre Tharaud | E Minor | 1 | 9A | 118 BPM | ||
String Quartet No. 5 in C Major, Op. 29, "Serenade": II. Ballata. Allegretto scherzando | Wilhelm Stenhammar, Stenhammar Quartet | A Minor | 1 | 8A | 131 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Symphony No. 3, Op. 20, "Pervomayskaya" (The First of May): I. Allegretto | Dmitri Shostakovich, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | E Major | 5 | 12B | 72 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
Light Moving | David Lang, Hilary Hahn, Cory Smythe | E Minor | 1 | 9A | 102 BPM | ||
Bassoon Concerto in A Minor, RV 498: II. Larghetto | Antonio Vivaldi, Sergio Azzolini, L'Onda Armonica | F Major | 0 | 7B | 63 BPM | ||
Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM |
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