Johann Sebastian Bach, Göran Söllscher made "Suite for Cello Solo No.2 in D minor, BWV 1008 - Transcribed for Solo Guitar by Göran Söllscher Transcribed for Solo Guitar by Göran Söllscher: 6. Gigue" available on May 3, 2021. The duration of Suite for Cello Solo No.2 in D minor, BWV 1008 - Transcribed for Solo Guitar by Göran Söllscher Transcribed for Solo Guitar by Göran Söllscher: 6. Gigue is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Suite for Cello Solo No.2 in D minor, BWV 1008 - Transcribed for Solo Guitar by Göran Söllscher Transcribed for Solo Guitar by Göran Söllscher: 6. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 118 out of 160 in Bach for the Background by Johann Sebastian Bach. In terms of popularity, Suite for Cello Solo No.2 in D minor, BWV 1008 - Transcribed for Solo Guitar by Göran Söllscher Transcribed for Solo Guitar by Göran Söllscher: 6. Gigue is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Suite for Cello Solo No.2 in D minor, BWV 1008 - Transcribed for Solo Guitar by Göran Söllscher Transcribed for Solo Guitar by Göran Söllscher: 6. Gigue by Johann Sebastian Bach, Göran Söllscher is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Postludes (1981/82): Postlude No. 3 | Valentin Silvestrov, Anja Lechner, Silke Avenhaus | D Major | 0 | 10B | 70 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande | Johann Sebastian Bach, Yo-Yo Ma | C Minor | 1 | 5A | 169 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Keyboard Concerto No. 2 in E Major, BWV 1053: I. ? | Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | D♭ Minor | 4 | 12A | 178 BPM | ||
Trio Sonata in G Major, BWV 1038: III. Adagio | Johann Sebastian Bach, Jean-Pierre Rampal, Isaac Stern, John Steele Ritter, Leslie Parnas | E Minor | 2 | 9A | 77 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
Concerto for 3 Harpsichords, Strings & Continuo No. 2 in C Major, BWV 1064: 2. Adagio | Johann Sebastian Bach, Maurizio Baglini, Marcello Mazzoni, Andrea Padova, I Solisti Filarmonici Italiani, Federico Guglielmo | D Minor | 2 | 7A | 139 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM |
Section: 0.6315262317657471
End: 0.6357166767120361