On 1957, the song "Keyboard Concerto No. 2 in E Major, BWV 1053: I. ?" was released by Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann. Since Keyboard Concerto No. 2 in E Major, BWV 1053: I. ? is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Glenn Gould, George Frideric Handel, Glenn Gould, Paul Hindemith, Glenn Gould, Richard Strauss, Glenn Gould, Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: Piano Concertos Nos. 1 - 5 BWV 1052-1056 & No. 7 BWV 1058" album is number 4 out of 18. The popularity of Keyboard Concerto No. 2 in E Major, BWV 1053: I. ? is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Keyboard Concerto No. 2 in E Major, BWV 1053: I. ? by Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Goldberg Variations, BWV 988: Var. 3, Canone all'unisuono | Johann Sebastian Bach, Glenn Gould | G Major | 2 | 9B | 96 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Arr. Hogwood for Violin, Oboe & Strings: 1. Allegro | Johann Sebastian Bach, Carmel Kaine, Tess Miller, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 84 BPM | ||
Concerto for violin, strings and continuo in B flat, RV 370: Allegro | La Serenissima, Mhairi Lawson | F Major | 1 | 7B | 113 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: 2. Andante | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | C Major | 0 | 8B | 108 BPM | ||
Pièces pour clavecin, Book 4: La Pothouïn | François Couperin, Alexandre Tharaud | C Minor | 1 | 5A | 65 BPM | ||
Prelude No. 3 "Nina's Convention" | Johann Sebastian Bach, John Lewis | C Major | 1 | 8B | 93 BPM |
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