"Missa Pro Defunctis: I. Introitus" by Joan Cererols, Jordi Savall, Montserrat Figueras, La Capella Reial De Catalunya, Hespèrion XX was released on June 3, 2013. Missa Pro Defunctis: I. Introitus is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The track order of this song in Jordi Savall, La Capella Reial De Catalunya, Montserrat Figueras, Hespèrion XX's "La Capella Reial de Catalunya - 25th Anniversary" album is number 12 out of 48. Missa Pro Defunctis: I. Introitus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Pro Defunctis: I. Introitus by Joan Cererols, Jordi Savall, Montserrat Figueras, La Capella Reial De Catalunya, Hespèrion XX to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
Miserere: VII. Redde mihi laetitiam ; Docebo iniquos vias tuas - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 0 | 10A | 86 BPM | ||
Missa Quadragesimalis, MH 552: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | B♭ Minor | 1 | 3A | 135 BPM | ||
Alma redemptoris mater | Joan Cererols, Cor de cambra Francesc Valls, David Malet, Pere Lluís Biosca | A Major | 1 | 11B | 71 BPM | ||
V. Christus ist mein Leben, Sterben ist mein Gewinn | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
O quam tu pulchra es | Alessandro Grandi, Massimo Altieri, Massimo Lombardi, Guglielmo Buonsanti, i Disinvolti | D Major | 0 | 10B | 101 BPM | ||
Missa pro defunctis: I. Introit | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | D Major | 2 | 10B | 129 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
King Arthur, Z. 628, Act V: Fairest Isle | Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | A Major | 0 | 11B | 76 BPM | ||
Guerrero: O Virgo Benedicta | A5 Vocal Ensemble, Francisco Guerrero | G Major | 0 | 9B | 137 BPM |
Section: 0.6041524410247803
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