"Dido and Aeneas / Act 2: "Stay, Prince...Jove's commands shall be obey'd"" by Henry Purcell, Derek Lee Ragin, Thomas Allen, English Chamber Orchestra, Raymond Leppard was released on January 1, 1986. The duration of Dido and Aeneas / Act 2: "Stay, Prince...Jove's commands shall be obey'd" is about 3 minutes long, at 3:17. Based on our data, "Dido and Aeneas / Act 2: "Stay, Prince...Jove's commands shall be obey'd"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #11. Dido and Aeneas / Act 2: "Stay, Prince...Jove's commands shall be obey'd" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas / Act 2: "Stay, Prince...Jove's commands shall be obey'd" by Henry Purcell, Derek Lee Ragin, Thomas Allen, English Chamber Orchestra, Raymond Leppard having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come, Ye Sons of Art Away, Z. 323: 3. Sound The Trumpet, Sound | Henry Purcell, Michael Chance, Timothy Wilson, Trevor Pinnock, The English Concert | D♭ Major | 2 | 3B | 85 BPM | ||
L'elisir d'amore / Act 1: "Bel conforto" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 56 BPM | ||
Dolcissimi legami di parole amorose | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | D Minor | 1 | 7A | 79 BPM | ||
Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | B♭ Major | 2 | 6B | 88 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM | ||
L'Orfeo, Atto terzo: IV. Possente Spirto | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Le Concert Des Nations | D Minor | 1 | 7A | 70 BPM | ||
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: VI. Denn wir haben hie keine bleibende Statt | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | C Major | 2 | 8B | 115 BPM | ||
Piano Concerto No. 10 in E-Flat Major, K. 365 / 316a: III. Rondo. Allegro | Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu, English Chamber Orchestra | E♭ Major | 2 | 5B | 91 BPM | ||
Die Schöpfung, Hob. XXI:2, Erster Teil: II. Rezitativ mit Chor "Im Anfange schuf Gott Himmel und Erde" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Rudolf Rosen, Maximilian Schmitt | A♭ Major | 0 | 4B | 127 BPM |
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