The Sixteen made "Coronation Anthem - Let Thy Hand Be Strengthened: Alleluia" available on February 2, 2009. The duration of Coronation Anthem - Let Thy Hand Be Strengthened: Alleluia is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Coronation Anthem - Let Thy Hand Be Strengthened: Alleluia's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Sixteen's "Handel: Coronation Anthems" album is number 18 out of 20. Coronation Anthem - Let Thy Hand Be Strengthened: Alleluia is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Coronation Anthem - Let Thy Hand Be Strengthened: Alleluia by The Sixteen to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Selig sind die Toten | Heinrich Schütz, Elizabeth Futral, Judith Malafronte, Frederick Urrey, Wilbur Pauley, Richard Westenburg | G Major | 1 | 9B | 127 BPM | ||
Geistliche Chormusik: Herr, auf dich traue ich, SWV 377 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | G Major | 1 | 9B | 59 BPM | ||
Cantata No.147: Herz und Mund und Tat und Leben: Chorale: Jesu bleibet meine Freude - studio | The Sixteen | F♯ Major | 1 | 2B | 83 BPM | ||
Tota Pulchra Es | Maurice Duruflé, The Sixteen | G Minor | 0 | 6A | 104 BPM | ||
Lux Aurumque | Eric Whitacre, Eric Whitacre Singers | D♭ Minor | 0 | 12A | 72 BPM | ||
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: III. Siehe, wir preisen. Langsam und sanft | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | F Major | 1 | 7B | 99 BPM | ||
Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
2nd Book of Madrigals for five Parts: Ecco mormorar l'onde | Claudio Monteverdi, Hallenser Madrigalisten, Andreas Göpfert | C Minor | 1 | 5A | 87 BPM |
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