"For The Fallen by Laurence Binyon - Elgar: Enigma Variations: Nimrod" by Edward Elgar, Bernard Cribbins, André Previn, Royal Philharmonic Orchestra was released on January 1, 2010. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of We Will Remember Them by Various Artists. The song's track number on the album is #8 out of 33 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. For The Fallen by Laurence Binyon - Elgar: Enigma Variations: Nimrod is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since For The Fallen by Laurence Binyon - Elgar: Enigma Variations: Nimrod by Edward Elgar, Bernard Cribbins, André Previn, Royal Philharmonic Orchestra has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With For The Fallen by Laurence Binyon - Elgar: Enigma Variations: Nimrod being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Nicola Benedetti, Petr Limonov | E Major | 1 | 12B | 73 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio | Johan Svendsen, Bournemouth Sinfonietta, Richard Studt | E Minor | 1 | 9A | 92 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile | Sergei Rachmaninoff, Gautier Capuçon, Gabriela Montero | D♭ Major | 0 | 3B | 84 BPM |
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