Julio Sagreras, Christoph Denoth's 'Violetas (arr. Christoph Denoth)' came out on July 6, 2018. The duration of Violetas (arr. Christoph Denoth) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Violetas (arr. Christoph Denoth)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Tanguero: Music from South America". In this album, this song's track order is #21. Based on our statistics, Violetas (arr. Christoph Denoth)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Violetas (arr. Christoph Denoth) by Julio Sagreras, Christoph Denoth having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Dance No. 1 (Transcr. Hall) | Manuel de Falla, Nicola Hall | A Major | 2 | 11B | 88 BPM | ||
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
Nocturnos de Andalucía: I. Brindis a la noche | Lorenzo Palomo, Christoph Denoth, Jesús López-Cobos, London Symphony Orchestra | D Major | 1 | 10B | 88 BPM | ||
The Day You Love Me | Carlos Gardel, Victor Villadangos | D Major | 0 | 10B | 108 BPM | ||
Andante No. 1, Op. 320 | Ferdinando Carulli, Flavio Cucchi | G Major | 0 | 9B | 99 BPM | ||
Gianni Schicchi: O mio babbino caro (Arr. Yvar Mikhashoff) | Giacomo Puccini, James Rhodes | A♭ Major | 0 | 4B | 65 BPM | ||
Suite Castellana: Danza | Federico Moreno Torroba, Enno Voorhorst | E Major | 1 | 12B | 88 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Hymne à l'amour | Roland Dyens | E♭ Major | 0 | 5B | 81 BPM |
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