"Nocturnos de Andalucía: I. Brindis a la noche" by Lorenzo Palomo, Christoph Denoth, Jesús López-Cobos, London Symphony Orchestra was released on February 19, 2016. Since Nocturnos de Andalucía: I. Brindis a la noche is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Nocturnos De Andalucía". In this album, this song's track order is #1. Nocturnos de Andalucía: I. Brindis a la noche is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturnos de Andalucía: I. Brindis a la noche by Lorenzo Palomo, Christoph Denoth, Jesús López-Cobos, London Symphony Orchestra having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM | ||
Belshazzar's Feast, JS 48: Act I: Alla marcia | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | A Major | 2 | 11B | 69 BPM | ||
Tableaux de Provence: IV. Des Alyscamps l'âme soupire (Version pour saxophone et piano) | Paule Maurice, Louis Hognon, Flore Merlin | D♭ Minor | 0 | 12A | 66 BPM | ||
Sinfonía Córdoba: II. Nocturno en la ribera | Lorenzo Palomo, Orquesta Sinfónica de Castilla y León, Jesús López-Cobos | D♭ Major | 0 | 3B | 125 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
Night Music | James Ricci, Filharmonie Brno, Mikel Toms | F♯ Minor | 1 | 11A | 129 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: I. Adagio | Jean Sibelius, Paavo Berglund, Bournemouth Symphony Orchestra | C Major | 1 | 8B | 86 BPM | ||
Magyar gyermek- és népdalok: No. 3, Tavaszi szél | Leó Weiner, Budapest Symphony Orchestra MAV, Valeria Csanyi | C Major | 0 | 8B | 145 BPM |
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