Lorenzo Palomo, Orquesta Sinfónica de Castilla y León, Jesús López-Cobos's 'Sinfonía Córdoba: II. Nocturno en la ribera' came out on February 9, 2018. Since Sinfonía Córdoba: II. Nocturno en la ribera is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Palomo: Sinfonía Córdoba & Fulgores". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Sinfonía Córdoba: II. Nocturno en la ribera's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sinfonía Córdoba: II. Nocturno en la ribera by Lorenzo Palomo, Orquesta Sinfónica de Castilla y León, Jesús López-Cobos having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Twilight Lullaby | Sonic Piano Music | A Minor | 0 | 8A | 79 BPM | ||
Nocturnos de Andalucia (Andalusian Nocturnes): IV. Rafaga (Gust of Wind) | Lorenzo Palomo, Pepe Romero, Seville Royal Symphony Orchestra, Rafael Frühbeck de Burgos | E Minor | 1 | 9A | 101 BPM | ||
Symphonic Suite "White Night": I. White Night | Heino Eller, Estonian National Symphony Orchestra, Olari Elts | F♯ Minor | 0 | 11A | 108 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM | ||
Violin Concerto No. 1: I. Moderato | John Williams, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 1 | 9B | 122 BPM | ||
Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | B Major | 0 | 1B | 124 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): III. Bolero, "This is New" | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | G Minor | 1 | 6A | 69 BPM | ||
Final Circus | Christian Lindberg, Símon Bolívar Symphony Orchestra | G Major | 6 | 9B | 184 BPM | ||
Gymnopédie No. 3 | Erik Satie, Louis Lane, The Cleveland Orchestra | A Minor | 0 | 8A | 75 BPM | ||
Madrigal y Cinco canciones sefardies (Madrigal and 5 Sephardic Songs) (version for voice and guitar): No. 4. Pequena serenata sefardi (Little Sephardic Serenade) | Lorenzo Palomo, Maria Bayo, Pepe Romero | B Major | 0 | 1B | 169 BPM |
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