"La vie du poete: Act I Scene 1, "Enthusiasm": Douce Lumiere (Chorus of Inner Voices, The Poet)" by Gustave Charpentier, Sabine Devieilhe, Helena Bohuszewicz, Bernard Richter, Alain Buet, Flemish Radio Choir, Royal Symphonic Band of the Belgian Guides, Herve Niquet was released on November 1, 2011. La vie du poete: Act I Scene 1, "Enthusiasm": Douce Lumiere (Chorus of Inner Voices, The Poet) appears to be safe for all ages as it is not explicit. The song is number 1 out of 17 in Charpentier: Music for the Prix de Rome by Gustave Charpentier, Herve Niquet. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. La vie du poete: Act I Scene 1, "Enthusiasm": Douce Lumiere (Chorus of Inner Voices, The Poet) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La vie du poete: Act I Scene 1, "Enthusiasm": Douce Lumiere (Chorus of Inner Voices, The Poet) by Gustave Charpentier, Sabine Devieilhe, Helena Bohuszewicz, Bernard Richter, Alain Buet, Flemish Radio Choir, Royal Symphonic Band of the Belgian Guides, Herve Niquet is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Didon: Scene 2: Recitative: Pourquoi cette tristesse? (Didon, Enee) | Gustave Charpentier, Manon Feubel, Julien Dran, Marc Barrard, Brussels Philharmonic, Herve Niquet | G Major | 1 | 9B | 70 BPM | ||
La Bohème, Act I: O soave fanciulla (Rodolfo/Marcello/Mimì) | Giacomo Puccini, Nicolai Gedda, Thomas Schippers, Orchestra Del Teatro Dell'Opera Di Roma | G Major | 4 | 9B | 78 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Adriana Lecouvreur / Act 1: "La dolcissima effigie" | Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 2 | 4B | 79 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM |
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