On 1971, the song "Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: I. Allegro" was released by Johann Sebastian Bach, Murray Perahia, Kenneth Sillito, Jaime Martin, Academy of St. Martin in the Fields. Since Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Murray Perahia's "Murray Perahia Plays Bach Concertos" album is number 1 out of 30. On top of that, United States appears to be the country where this track was created. Based on our statistics, Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: I. Allegro's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Concerto for Flute, Violin & Harpsichord in A Minor, BWV 1044: I. Allegro by Johann Sebastian Bach, Murray Perahia, Kenneth Sillito, Jaime Martin, Academy of St. Martin in the Fields to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in A Minor No. 1, Wq. 49 " Württembergische Sonate": III. Allegro assai - Remastered | Carl Philipp Emanuel Bach, Glenn Gould | C Major | 3 | 8B | 112 BPM | ||
Concerto for Viola, Strings and Continuo in G Major, TWV 51:G9: IV. Presto | Georg Philipp Telemann, Nils Mönkemeyer | G Major | 3 | 9B | 134 BPM | ||
Two Rhapsodies, Op. 79: Rhapsodie in B Minor, Op. 79, No. 1 | Johannes Brahms, Murray Perahia | E Minor | 2 | 9A | 152 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre, Livre IV, 22e ordre: VII. Les Tours de passe-passe | François Couperin, Alexandre Tharaud | D Major | 2 | 10B | 131 BPM | ||
Keyboard Sonata No. 48 in C Minor | Antonio Soler, Mateusz Borowiak | C Minor | 4 | 5A | 145 BPM | ||
Concerto a 5 in C Major, Op. 9, No. 9: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 119 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 140 BPM | ||
Handel: Organ Concerto in B-Flat Major, Op. 7 No. 3, HWV 308: III. Spiritoso | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Simon Preston, Valda Aveling | A Major | 1 | 11B | 79 BPM | ||
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM |
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