"Roméo et Juliette (1994 - Remaster), Act V: 'Le Sommeil de Juliette'" by Charles Gounod, Orchestre de l'Opéra National de Paris/Alain Lombard, Alain Lombard, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra was released on 1969. The duration of Roméo et Juliette (1994 - Remaster), Act V: 'Le Sommeil de Juliette' is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Roméo et Juliette (1994 - Remaster), Act V: 'Le Sommeil de Juliette''s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Roméo et Juliette - Gounod". In this album, this song's track order is #15. Roméo et Juliette (1994 - Remaster), Act V: 'Le Sommeil de Juliette' is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Roméo et Juliette (1994 - Remaster), Act V: 'Le Sommeil de Juliette' by Charles Gounod, Orchestre de l'Opéra National de Paris/Alain Lombard, Alain Lombard, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Romantic Pieces, B.150: I. Allegro moderato | Antonín Dvořák, Tamsin Waley-Cohen, Huw Watkins | B♭ Major | 0 | 6B | 97 BPM | ||
Faust, CG 4, ICG 61, Act I: "Me voici! D'où vient ta surprise?" (Méphistophélès, Faust) | Charles Gounod, Metropolitan Opera Orchestra, Fausto Cleva, Cesare Siepi, Jussi Björling | F Major | 3 | 7B | 81 BPM | ||
Dance of the Blessed Spirits | Christoph Willibald Gluck, James Galway, London Mozart Players | F Major | 1 | 7B | 74 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) | Robert Schumann, Lynn Harrell, Bruno Canino | F Major | 0 | 7B | 67 BPM | ||
Faust, CG 4, ICG 61, Act I: "A moi les plaisirs" (Faust, Méphistophélès) | Charles Gounod, Metropolitan Opera Orchestra, Fausto Cleva, Jussi Björling, Cesare Siepi | F Major | 3 | 7B | 81 BPM | ||
Poeme, Op. 41, No. 6 | Fibich, Grand Philharmonia Orchestra | C Major | 1 | 8B | 135 BPM | ||
Linda di Chamounix, A. 62: Sinfonia | Gaetano Donizetti, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Gounod: Messe solennelle de Sainte Cécile: VIII. Domine salvum | Charles Gounod, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | G Major | 1 | 9B | 85 BPM | ||
Largo from "Winter" from "the Four Seasons" by Antonio Vivaldi | The Cello Quartet | D Major | 2 | 10B | 153 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM |
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