- BPM
- 111
- Key
- D Minor
- Camelot
- 7A
Music for His Majesty's Sackbuts and Cornetts: Sarabande - Matthew Locke, The London Gabrieli Brass Ensemble Information
- Acousticness
- 99%
- Danceability
- 69%
- Energy
- 10%
- Instrumentalness
- 89%
- Liveness
- 6%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 61%
- Popularity
- 0%
- Loudness
- -21.705 dB
Summary
Matthew Locke, The London Gabrieli Brass Ensemble made "Music for His Majesty's Sackbuts and Cornetts: Sarabande" available on January 1, 1982. With Music for His Majesty's Sackbuts and Cornetts: Sarabande being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 43 in the song's album "The Baroque Brass Collection". In this album, this song's track order is #37. In terms of popularity, Music for His Majesty's Sackbuts and Cornetts: Sarabande is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Music for His Majesty's Sackbuts and Cornetts: Sarabande BPM
With Music for His Majesty's Sackbuts and Cornetts: Sarabande by Matthew Locke, The London Gabrieli Brass Ensemble having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
Music for His Majesty's Sackbuts and Cornetts: Sarabande Key
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lachrimae or Seven Tears: VI. Lachrimae amantis | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | |
| Lachrimae or Seven Tears: II. Lachrimae antiquae novae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | |
 | Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | |
 | Per ogni sorte di strumenti musicale, Op. 22: Passacaglio | Biagio Marini, Jordi Savall | G Minor | 1 | 6A | 82 BPM | |
 | I Know That My Redeemer Lives | Matthew Locke, Michael Bawtree, Annabell McLauchlan, Zoë Milton Brown, Sarah Armstrong, David Rowland | G Minor | 0 | 6A | 101 BPM | |
 | Royal Consort in D Minor for 2 theorbos: V. Corant II | William Lawes, Jacob Heringman, David Miller, The Rose Consort Of Viols | D♭ Major | 2 | 3B | 55 BPM | |
 | Corollarium. Canzon à 5 | Johann Hermann Schein, Ricercar Consort, Philippe Pierlot | G Minor | 2 | 6A | 117 BPM | |
 | Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | |
 | Concert XLIV: Tombeau les regrets - Les pleurs | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Minor | 0 | 12A | 111 BPM | |
 | Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 2.2150213718414307
End: 2.220156192779541