Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl made "Matthäuspassion, BWV 244: Chorale: Bin ich gleich von dir gewichen (Chorus I and II)" available on November 1, 2005. With Matthäuspassion, BWV 244: Chorale: Bin ich gleich von dir gewichen (Chorus I and II) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Matthäuspassion, BWV 244" album is number 11 out of 68. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Matthäuspassion, BWV 244: Chorale: Bin ich gleich von dir gewichen (Chorus I and II) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Matthäuspassion, BWV 244: Chorale: Bin ich gleich von dir gewichen (Chorus I and II) by Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus Passion, Prima Parte: 28. Recitative- Evangelist, Jesus: Und Siehe, Einer Aus Denen | Stephen Cleobury, Emma Kirkby, Johann Sebastian Bach, Rogers Covey-Crump, Michael Chance, David Thomas, Michael George, Choir of King's College, Cambridge, Martyn Hill | A♭ Major | 1 | 4B | 108 BPM | ||
Prelude in E Minor, BWV 932 (completed by P. Watchorn) | Peter Watchorn, Johann Sebastian Bach | E♭ Minor | 5 | 2A | 153 BPM | ||
Johannes-Passion, BWV 245, Pt. 1: No. 14, Choral. Petrus, der nicht denkt zurück | Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien, Chorus Viennensis, Vienna Boys' Choir | F♯ Minor | 2 | 11A | 121 BPM | ||
Jauchzet dem Herrn alle Welt, BWV Anh. 160: I. No. 1, Chorus: Jauchzet dem Herrn, alle Welt | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 7. Duetto (Soprano, Tenore) (Versus VI): So Feiern Wir Das Hohe Fest | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Frank Wakelkamp, Johann Sebastian Bach, Vaughan Schlepp, Bas Ramselaar, Sytse Buwalda, Ruth Holton, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
I. Gott Ist Mein König BWV 71, 3. Coro: Dein Alter Sei Wie Deine Jugend | Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Peter Frankenberg, Ruth Holton, Bas Ramselaar, Katherin Steddon, Anneke Boeke, Johann Sebastian Bach, Ofer Frenke, Knut Schoch, Frank Aarnink, Pieter Jan Leusink | B♭ Minor | 1 | 3A | 77 BPM | ||
I. Gott Ist Mein König BWV 71, 7. Choral (Coro): Das Neue Regiment | Holland Boys Choir, Netherlands Bach Collegium, Katherin Steddon, Sytse Buwalda, Bas Ramselaar, Anneke Boeke, Knut Schoch, Frank Aarnink, Ofer Frenke, Johann Sebastian Bach, Ruth Holton, Peter Frankenberg, Pieter Jan Leusink | D♭ Major | 1 | 3B | 83 BPM | ||
Matthäus-Passion, BWV 244, Prima parte: Nr.26. Und er kam und fand sie aber schlafend (Evangelista, Jesus, Judas) | Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Stéphane Degout, Georg Finger | A♭ Minor | 0 | 1A | 98 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 59, Komm, süßer Tod, BWV 478 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Matthäus Passion, Prima Parte: 8. Aria (Soprano): Blute Nur, Du Liebes Herz! | Stephen Cleobury, Johann Sebastian Bach, Rogers Covey-Crump, David Thomas, Martyn Hill, Choir of King's College, Cambridge, Michael George, Michael Chance, Emma Kirkby | B♭ Minor | 0 | 3A | 135 BPM |
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