Stephen Cleobury, Emma Kirkby, Johann Sebastian Bach, Rogers Covey-Crump, Michael Chance, David Thomas, Michael George, Choir of King's College, Cambridge, Martyn Hill's 'Matthäus Passion, Prima Parte: 28. Recitative- Evangelist, Jesus: Und Siehe, Einer Aus Denen' came out on March 28, 2007. The duration of Matthäus Passion, Prima Parte: 28. Recitative- Evangelist, Jesus: Und Siehe, Einer Aus Denen is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Matthäus Passion, Prima Parte: 28. Recitative- Evangelist, Jesus: Und Siehe, Einer Aus Denen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Stephen Cleobury's "Matthaus Passion" album is number 37 out of 103. In terms of popularity, Matthäus Passion, Prima Parte: 28. Recitative- Evangelist, Jesus: Und Siehe, Einer Aus Denen is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Matthäus Passion, Prima Parte: 28. Recitative- Evangelist, Jesus: Und Siehe, Einer Aus Denen by Stephen Cleobury, Emma Kirkby, Johann Sebastian Bach, Rogers Covey-Crump, Michael Chance, David Thomas, Michael George, Choir of King's College, Cambridge, Martyn Hill to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in F Major: 1. Allegro | William Boyce, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 95 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | D Minor | 3 | 7A | 179 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude" | Johann Sebastian Bach, Taverner Players, Andrew Parrott, Taverner Consort, Taverner Choir | F♯ Major | 2 | 2B | 78 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah! Se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | C Minor | 1 | 5A | 75 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
Christ lag in Todesbanden: Versus I | Johann Pachelbel, Beate Spaltner, Nils Giebelhausen, Wolf Matthias Friedrich, Jurgen Banholzer, Hermann Oswald, Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | D Minor | 3 | 7A | 109 BPM | ||
Mass for five voices: Mass for five voices: V. Agnus Dei | William Byrd, Ora Singers | E♭ Major | 1 | 5B | 61 BPM | ||
Nachtlied, Op. 138, No. 3 | Max Reger, Windsbacher Knabenchor, Martin Lehmann | B Minor | 0 | 10A | 69 BPM |
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