On May 31, 2024, the song "Le Nozze di Iole ed Ercole, Parte Prima: XIX. Aria (Alceo) "Di Flebili Accenti"" was released by Leonardo Leo, Christoph Hammer, Neue Hofkapelle München. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leonardo Leo, Christoph Hammer, Neue Hofkapelle München's "Leo: Le Nozze di Iole ed Ercole" album is number 19 out of 40. On top of that, Germany appears to be the country where this track was created. The popularity of Le Nozze di Iole ed Ercole, Parte Prima: XIX. Aria (Alceo) "Di Flebili Accenti" is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Le Nozze di Iole ed Ercole, Parte Prima: XIX. Aria (Alceo) "Di Flebili Accenti" by Leonardo Leo, Christoph Hammer, Neue Hofkapelle München to be Presto (very, very fast) because the track has a tempo of 182 BPM, a half-time of 91BPM, and a double-time of 364 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Onore vince amore: XXI. 21 Fa l'alluorgio cammenare | Leonardo Leo, Christian Immler, Carlotta Colombo, Jesse Blumberg, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | F♯ Major | 3 | 2B | 101 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | F Major | 0 | 7B | 36 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
Concerto for Recorder and Strings in A minor: I. Largo- Staccato e dolce | Domenico Sarro, Gudrun Heyens, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 0 | 1A | 74 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Cello Concerto No. 4 in A Major: III. Larghetto | Leonardo Leo, Tafelmusik Baroque Orchestra, Anner Bylsma, Jeanne Lamon | F Minor | 1 | 4A | 72 BPM | ||
Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM |