"Cello Concerto No. 4 in A Major: III. Larghetto" by Leonardo Leo, Tafelmusik Baroque Orchestra, Anner Bylsma, Jeanne Lamon had its release date on January 1, 1997. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leonardo Leo, Tafelmusik Baroque Orchestra, Jeanne Lamon, Anner Bylsma's "Leo: Six Cello Concertos" album is number 12 out of 25. On top of that, Canada appears to be the country where this track was created. Cello Concerto No. 4 in A Major: III. Larghetto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Concerto No. 4 in A Major: III. Larghetto by Leonardo Leo, Tafelmusik Baroque Orchestra, Anner Bylsma, Jeanne Lamon to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
Concerto 4 in F Major, Op. 7: I. Allegro moderato | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 3 | 12A | 95 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | ||
Sonata terza in G minor, Parte Prima: III. Lento | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Major | 0 | 6B | 92 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Ich hatte viel Bekümmernis, BWV 21: Ich hatte viel Bekummernis, BWV 21: Sinfonia | Johann Sebastian Bach, Il Gardellino | B Minor | 2 | 10A | 65 BPM | ||
Sonata in D Major for cello and basso: I. Andante | Franz Benda, Octavie Dostaler-Lalonde, Artem Belogurov, Victor Garcia Garcia | D♭ Major | 0 | 3B | 96 BPM | ||
Concerto grosso in B-Flat Major, Op. 1 No.3: I. Largo | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 1 | 11B | 120 BPM | ||
Concerto Grosso No. 6 in D Major (after D. Scarlatti): III. Adagio | Charles Avison, I Musici | D Minor | 0 | 7A | 168 BPM |