Emanuele Nutile, Enrico Caruso's 'Mamma mia che von sapé' came out on January 1, 1990. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 17 in Canzoni Italiane by Enrico Caruso. In terms of popularity, Mamma mia che von sapé is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mamma mia che von sapé by Emanuele Nutile, Enrico Caruso is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mamma mia, che vo' sape | Emanuele Nutile, Beniamino Gigli, Artist Unknown, Rosario Bourdon | E♭ Major | 2 | 5B | 175 BPM | ||
La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Il pallor funesto, orrendo" (Enrico, Lucia) | Gaetano Donizetti, Maria Callas, Tito Gobbi, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | G Major | 2 | 9B | 81 BPM | ||
Luisa Fernanda, Acto ii: Por el amor de una mujer | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | F Major | 3 | 7B | 95 BPM | ||
La Canción del Olvido: "Canción de Leonello" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Manuel Ausensi | D Major | 4 | 10B | 99 BPM | ||
Maybe Tomorrow | Alvarotti | G Major | 2 | 9B | 172 BPM | ||
Adriana Lecouvreur Act I, Scene 5: La dolcissima effigie | Francesco Cilea, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Las Golondrinas, Final, II parte: "¡Oh, Puck, por ti mi corazón!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM |
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