Peer Gynt, Op. 23 - Incidental Music: No. 1 At the Wedding - Edvard Grieg, Paul Cortese, Gothenburg Symphony Orchestra, Neeme Järvi Information

Acousticness: 88%
Danceability: 45%
Energy: 23%
Instrumentalness: 5%
Liveness: 11%
Loudness: 78%
Speechiness: 3%
Valence: 45%
Popularity: 8%
Loudness: -13.087 dB

Summary

Edvard Grieg, Paul Cortese, Gothenburg Symphony Orchestra, Neeme Järvi made "Peer Gynt, Op. 23 - Incidental Music: No. 1 At the Wedding" available on January 1, 1987. With this song being about 5 minutes long, at 5:01, "Peer Gynt, Op. 23 - Incidental Music: No. 1 At the Wedding" by Edvard Grieg, Paul Cortese, Gothenburg Symphony Orchestra, Neeme Järvi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi's "Grieg: Peer Gynt Op.23" album is number 1 out of 21. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Peer Gynt, Op. 23 - Incidental Music: No. 1 At the Wedding is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Peer Gynt, Op. 23 - Incidental Music: No. 1 At the Wedding BPM

We consider the tempo marking of Peer Gynt, Op. 23 - Incidental Music: No. 1 At the Wedding by Edvard Grieg, Paul Cortese, Gothenburg Symphony Orchestra, Neeme Järvi to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Peer Gynt, Op. 23 - Incidental Music: No. 1 At the Wedding Key

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Lyric Pieces, Book 8, Op. 65: Wedding Day At Troldhaugen, Op. 65, No. 6	BBC Scottish Symphony Orchestra, Edvard Grieg, Richard Hayman	D Major	2	10B	127 BPM
Shostakovich: Fugue No. 7 In A Major	Dmitri Shostakovich, Joachim Kwetzinsky	A Major	1	11B	79 BPM
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings)	Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	B Minor	1	10A	87 BPM
Over the Mountains High (arr. J. Lloyd Webber for cello and piano)	Frederick Delius, Julian Lloyd Webber, John Lenehan	C Major	0	8B	71 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78	Felix Mendelssohn, Jan Lisiecki	G Minor	0	6A	168 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Consolation No. 3 in D-Flat Major, S. 172/3	Franz Liszt, Vladimir Horowitz	D♭ Major	0	3B	70 BPM
The Hebrides, Op. 26 (Fingal's Cave)	Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi	A Minor	3	8A	96 BPM
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf	Edvard Grieg, Alice Sara Ott	D Major	2	10B	121 BPM
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924	Janos Sebestyen, Johann Sebastian Bach	C Major	2	8B	139 BPM

ISRC: DEF058730009
Label: L-M Records/RCA Records

Section: 0.7773211002349854

End: 0.7815554141998291