Isaac Stern's 'Mélodie No. 2 from Orphéus et Euridyce' came out on 1949. The duration of Mélodie No. 2 from Orphéus et Euridyce is about 3 minutes long, at 3:29. Based on our data, "Mélodie No. 2 from Orphéus et Euridyce" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Isaac Stern's "Isaac Stern - A Life in Music IV - Box Set" album is number 7 out of 150. On top of that, United States appears to be the country where this track was created. Based on our statistics, Mélodie No. 2 from Orphéus et Euridyce's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mélodie No. 2 from Orphéus et Euridyce by Isaac Stern to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM | ||
Violin Concerto No. 1: (Andante) | Krzysztof Penderecki, Isaac Stern, Stanisław Skrowaczewski, Minnesota Orchestra | A Minor | 2 | 8A | 87 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Piano Trio No. 1 in B-Flat Major, D. 898: II. Andante un poco mosso | Franz Schubert, Eugene Istomin, Isaac Stern, Leonard Rose | D Minor | 2 | 7A | 103 BPM | ||
La ronde des lutins, Op. 25 | Antonio Bazzini, Itzhak Perlman, David Garvey | E Minor | 4 | 9A | 100 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Violin Sonata in G Minor, D. 408, Op. 137 No. 3: II. Andante | Franz Schubert, Isaac Stern | F Major | 1 | 7B | 103 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM |
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