Violin Concerto No. 1: (Andante)
Krzysztof Penderecki, Isaac Stern, Stanisław Skrowaczewski, Minnesota Orchestra
Penderecki: Violin Concerto
4:34 1979
BPM
87
Key
A Minor
Camelot
8A

Embed

Share Link

Violin Concerto No. 1: (Andante) - Krzysztof Penderecki, Isaac Stern, Stanisław Skrowaczewski, Minnesota Orchestra Information

Acousticness
93%
Danceability
21%
Energy
18%
Instrumentalness
83%
Liveness
62%
Loudness
65%
Speechiness
5%
Valence
4%
Popularity
Loudness
-20.733 dB

Summary

"Violin Concerto No. 1: (Andante)" by Krzysztof Penderecki, Isaac Stern, Stanisław Skrowaczewski, Minnesota Orchestra was released on 1979. With this song being about 5 minutes long, at 4:34, "Violin Concerto No. 1: (Andante)" by Krzysztof Penderecki, Isaac Stern, Stanisław Skrowaczewski, Minnesota Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "Penderecki: Violin Concerto". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Violin Concerto No. 1: (Andante) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Violin Concerto No. 1: (Andante) BPM

With Violin Concerto No. 1: (Andante) by Krzysztof Penderecki, Isaac Stern, Stanisław Skrowaczewski, Minnesota Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Violin Concerto No. 1: (Andante) Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante by Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoPiano Concerto No. 2 in F Major, Op. 102: II. AndanteDmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoC Minor05A77 BPM
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile by Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun MarklSymphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabileClaude Debussy, Tony Finno, Orchestre National De Lyon, Jun MarklD Major110B72 BPM
Schoenberg: Verklärte Nacht, Op. 4: I. Grave by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonSchoenberg: Verklärte Nacht, Op. 4: I. GraveArnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen BalderstonD Minor17A174 BPM
3 Pieces in Old Style: No. 1. Aria by Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit3 Pieces in Old Style: No. 1. AriaKrzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni WitG Minor06A85 BPM
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) by Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber OrchestraOrfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor)Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber OrchestraB Minor110A68 BPM
Aria, Op. 9 by Mieczysław Weinberg, Deutsche Kammerphilharmonie Bremen, Mirga Gražinytė-TylaAria, Op. 9Mieczysław Weinberg, Deutsche Kammerphilharmonie Bremen, Mirga Gražinytė-TylaB♭ Major16B103 BPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts by Jean-Philippe Rameau, Teodor CurrentzisLes Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les ArtsJean-Philippe Rameau, Teodor CurrentzisD♭ Major13B130 BPM
Suite No. 3, P. 172: III. Siciliana: Andantino by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: III. Siciliana: AndantinoOttorino Respighi, RTÉ National Symphony OrchestraC Minor05A93 BPM
White Landscapes, Op. 47a: I. Divination by Snow. Adagio by Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, John Barrow, Kate Wilson, Jonathan PriceWhite Landscapes, Op. 47a: I. Divination by Snow. AdagioTakashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, John Barrow, Kate Wilson, Jonathan PriceE Minor09A83 BPM
Arcadiana, Op. 12: VI. O Albion by Thomas Adès, Danish String QuartetArcadiana, Op. 12: VI. O AlbionThomas Adès, Danish String QuartetE♭ Major05B77 BPM
ISRC
USSM17800787
Label
L-M Records/RCA Records

Section: 1.2435429096221924

End: 1.2486906051635742