Funeral Sentences For Queen Mary: Funeral March - Timothy Brown, Henry Purcell, William Carter, Marshall Marcus, Jan Schlapp, Andrew Manze, Choir of Clare College, Cambridge, Tim Handley, Liz Kenny, Nicholas Parker, Jonathan Brown, Jenny Ward - Clarke Information

"Funeral Sentences For Queen Mary: Funeral March" by Timothy Brown, Henry Purcell, William Carter, Marshall Marcus, Jan Schlapp, Andrew Manze, Choir of Clare College, Cambridge, Tim Handley, Liz Kenny, Nicholas Parker, Jonathan Brown, Jenny Ward - Clarke was released on December 22, 2006. The duration of Funeral Sentences For Queen Mary: Funeral March is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Funeral Sentences For Queen Mary: Funeral March's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Timothy Brown's "Miserere, Lamentations" album is number 8 out of 13. Funeral Sentences For Queen Mary: Funeral March is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Funeral Sentences For Queen Mary: Funeral March BPM

We consider the tempo marking of Funeral Sentences For Queen Mary: Funeral March by Timothy Brown, Henry Purcell, William Carter, Marshall Marcus, Jan Schlapp, Andrew Manze, Choir of Clare College, Cambridge, Tim Handley, Liz Kenny, Nicholas Parker, Jonathan Brown, Jenny Ward - Clarke to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Funeral Sentences For Queen Mary: Funeral March Key

This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.