"Le Lac des cygnes, Acte II Scène 4: Danses des cygnes (Moderato)" by Orchestre de Russie, Dmitry Yablonsky was released on October 18, 2017. The duration of Le Lac des cygnes, Acte II Scène 4: Danses des cygnes (Moderato) is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Le Lac des cygnes, Acte II Scène 4: Danses des cygnes (Moderato)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Natalie Dessay, Orchestre de Russie, Dmitry Yablonsky's "Le lac des cygnes" album is number 17 out of 17. Le Lac des cygnes, Acte II Scène 4: Danses des cygnes (Moderato) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Lac des cygnes, Acte II Scène 4: Danses des cygnes (Moderato) by Orchestre de Russie, Dmitry Yablonsky to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarasate: Carmen Fantasy, Op. 25 (After Bizet): IV. Moderato | Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester | C Minor | 1 | 5A | 72 BPM | ||
Symphony No. 4 in D Minor, Op. 120 "Clara Symphonie": II. Romanze. Ziemlich langsam (Re-Orchestrated by G. Mahler) | Robert Schumann, ORF Vienna Radio Symphony Orchestra, Marin Alsop | G Minor | 0 | 6A | 88 BPM | ||
The Song Of Spring: Op. 16 | Moscow Philarmonic Orchestra: Vassily Sinaysky | F Major | 2 | 7B | 85 BPM | ||
Rund Um Die Liebe: Rund Um Die Liebe, Ouverture | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 3 | 11B | 73 BPM | ||
The Seasons, Op. 67, Pt. 4 "L'automne": No. 14d, Le printemps | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 3, Lisa et le ruban | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | G Major | 0 | 9B | 96 BPM | ||
Etudes: I. Tendus - grands battements - fondus - frappés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | C Major | 3 | 8B | 134 BPM | ||
Étienne Marcel, R. 209, Act III, The Night of St. John, Before Notre Dame (Excerpts): Entrée des écoliers et des ribaudes | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
Oboe Concerto in D Major TrV292: I. Allegro moderato - Live | Richard Strauss, Ensemble of Tokyo, Satoki Aoyama | D Major | 2 | 10B | 104 BPM | ||
Veilchen, Op. 132: Veilchen-Polka, Op. 132 | Johann Strauss II, Slovak State Philharmonic Orchestra, Richard Edlinger | F Major | 2 | 7B | 97 BPM |
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