Jean de Cambefort, Violaine Le Chenadec, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Première Veille, la Nuit: "Vous poussez le Soleil à bout" (Les Heures)' came out on September 3, 2015. With Le Concert royal de la Nuit, Première Veille, la Nuit: "Vous poussez le Soleil à bout" (Les Heures) being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 3 out of 68. On top of that, France appears to be the country where this track was created. Le Concert royal de la Nuit, Première Veille, la Nuit: "Vous poussez le Soleil à bout" (Les Heures) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Première Veille, la Nuit: "Vous poussez le Soleil à bout" (Les Heures) by Jean de Cambefort, Violaine Le Chenadec, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 112 BPM | ||
Libera me in C Minor, HocJ E.2: IV. Tremens factus sum ego | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Peter Van Heyghen | D Major | 1 | 10B | 126 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VI. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Scene 1 | Francesca Caccini, Ferdinando Saracinelli, Ensemble Renaissance | F Major | 1 | 7B | 133 BPM | ||
Céphale et Procris, Prologue: Chœur. Chantons, chantons sa valeur immortelle | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis, Chœur De Chambre De Namur | F Minor | 1 | 4A | 75 BPM | ||
All'imperio d'Amore: 4. O che felice giorno a voce sola | Giulio Caccini, Ensemble Pygmalion, Sophie Junker, Raphael Pichon | B♭ Major | 1 | 6B | 99 BPM | ||
Two Airs for a Violin or German Flute, Violin, Cello & Harpsichord: Auld Bob Morrice. Affetuoso - Allegro | Francesco Geminiani, Rachel Podger, Brecon Baroque | F♯ Major | 1 | 2B | 97 BPM | ||
Te deum, LWV 55: II. Pleni sunt coeli et terra | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Qual mormorio giocondo: Recitative: Cosi dell'alma mia | Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay | F♯ Major | 1 | 2B | 78 BPM |
Section: 0.9691743850708008
End: 0.9726953506469727