Johann Sebastian Bach, Elizabeth Hainen's 'Partita No. 5 in G Major, BWV 829: I. Praeambulum (Arr. for Harp) [Arr. Henriette Renié]' came out on September 15, 2017. The duration of Partita No. 5 in G Major, BWV 829: I. Praeambulum (Arr. for Harp) [Arr. Henriette Renié] is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Partita No. 5 in G Major, BWV 829: I. Praeambulum (Arr. for Harp) [Arr. Henriette Renié]'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Elizabeth Hainen's "Home: Works for Solo Harp" album is number 12 out of 16. In terms of popularity, Partita No. 5 in G Major, BWV 829: I. Praeambulum (Arr. for Harp) [Arr. Henriette Renié] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Partita No. 5 in G Major, BWV 829: I. Praeambulum (Arr. for Harp) [Arr. Henriette Renié] by Johann Sebastian Bach, Elizabeth Hainen to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | C Minor | 2 | 5A | 65 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 102 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Tambourin | Jean-Philippe Rameau, Víkingur Ólafsson | E Minor | 3 | 9A | 148 BPM |
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