Matthäus-Passion, BWV 244, Pt. 2: No. 67, Recitative with Chorus. "Nun ist der Herr zur Ruh gebracht" (Soprano, Alto, Tenor, Bass, Chorus)
Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Adele Stolte, Annelies Burmeister, Hans-Joachim Rotzsch, Gunther Leib, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger
Quintessence J.S. Bach: Matthäus Passion, Johannes Passion
2:33 October 1, 2019
BPM
140
Key
F Minor
Camelot
4A

Embed

Share Link

Matthäus-Passion, BWV 244, Pt. 2: No. 67, Recitative with Chorus. "Nun ist der Herr zur Ruh gebracht" (Soprano, Alto, Tenor, Bass, Chorus) - Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Adele Stolte, Annelies Burmeister, Hans-Joachim Rotzsch, Gunther Leib, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger Information

Acousticness
97%
Danceability
22%
Energy
11%
Instrumentalness
1%
Liveness
11%
Loudness
59%
Speechiness
4%
Valence
7%
Popularity
Loudness
-24.591 dB

Summary

"Matthäus-Passion, BWV 244, Pt. 2: No. 67, Recitative with Chorus. "Nun ist der Herr zur Ruh gebracht" (Soprano, Alto, Tenor, Bass, Chorus)" by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Adele Stolte, Annelies Burmeister, Hans-Joachim Rotzsch, Gunther Leib, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger was released on October 1, 2019. The duration of Matthäus-Passion, BWV 244, Pt. 2: No. 67, Recitative with Chorus. "Nun ist der Herr zur Ruh gebracht" (Soprano, Alto, Tenor, Bass, Chorus) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Matthäus-Passion, BWV 244, Pt. 2: No. 67, Recitative with Chorus. "Nun ist der Herr zur Ruh gebracht" (Soprano, Alto, Tenor, Bass, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #67. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Matthäus-Passion, BWV 244, Pt. 2: No. 67, Recitative with Chorus. "Nun ist der Herr zur Ruh gebracht" (Soprano, Alto, Tenor, Bass, Chorus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Matthäus-Passion, BWV 244, Pt. 2: No. 67, Recitative with Chorus. "Nun ist der Herr zur Ruh gebracht" (Soprano, Alto, Tenor, Bass, Chorus) BPM

With Matthäus-Passion, BWV 244, Pt. 2: No. 67, Recitative with Chorus. "Nun ist der Herr zur Ruh gebracht" (Soprano, Alto, Tenor, Bass, Chorus) by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Adele Stolte, Annelies Burmeister, Hans-Joachim Rotzsch, Gunther Leib, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.

Matthäus-Passion, BWV 244, Pt. 2: No. 67, Recitative with Chorus. "Nun ist der Herr zur Ruh gebracht" (Soprano, Alto, Tenor, Bass, Chorus) Key

This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Nocturne No. 2 in C Minor by John Field, Benjamin FrithNocturne No. 2 in C MinorJohn Field, Benjamin FrithC Minor05A67 BPM
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] by Carl Philipp Emanuel Bach, Giovanni MazzocchinNotebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124]Carl Philipp Emanuel Bach, Giovanni MazzocchinE♭ Major15B113 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.12 in F minor BWV857 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 1 : Prelude No.12 in F minor BWV857Daniel BarenboimF Minor14A71 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderatoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigE♭ Major15B113 BPM
Oboe Concerto No. 3 in G Minor, HWV 287: III. Sarabande: Largo by George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas WardOboe Concerto No. 3 in G Minor, HWV 287: III. Sarabande: LargoGeorge Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas WardB♭ Major06B85 BPM
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] by Johannes Brahms, Yo-Yo MaWiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby]Johannes Brahms, Yo-Yo MaE♭ Major05B134 BPM
Kleine Präludien: No.3 in D Minor, BWV 926 by Inge RosarKleine Präludien: No.3 in D Minor, BWV 926Inge RosarD Minor17A83 BPM
Sonatina No. 1, Op. 67: III. Allegro moderato by Jean Sibelius, Leif Ove AndsnesSonatina No. 1, Op. 67: III. Allegro moderatoJean Sibelius, Leif Ove AndsnesF♯ Major12B94 BPM
Sinfonia in C major, RV 112: II. Andante by Karoly BotvaySinfonia in C major, RV 112: II. AndanteKaroly BotvayC Minor15A112 BPM
Arioso by HAUSERAriosoHAUSERE♭ Major35B77 BPM
ISRC
NLY331502737
Label
L-M Records/RCA Records

Section: 0.6691131591796875

End: 0.673431396484375