Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: II. Adagio - Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt Information

Acousticness: 95%
Danceability: 20%
Energy: 14%
Instrumentalness: 90%
Liveness: 28%
Loudness: 73%
Speechiness: 4%
Valence: 16%
Popularity: 8%
Loudness: -16.006 dB

Summary

"Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: II. Adagio" by Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt was released on 2006. With Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: II. Adagio being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 24 in Albinoni: Oboe Concertos by Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt. Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: II. Adagio BPM

The tempo marking of Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: II. Adagio by Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: II. Adagio Key

This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

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Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings)	Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	B Minor	1	10A	87 BPM
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Symphony No. 3 in F Major, Op. 90: III. Poco allegretto	Johannes Brahms, David Zinman	C Minor	0	5A	173 BPM
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski)	George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier	C Major	0	8B	92 BPM
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Armide: Overture	Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown	B♭ Major	1	6B	70 BPM
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto	Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux	C Minor	1	5A	75 BPM
Deuxieme livre, Suite en Mi: X. Tambourin	Jean-Philippe Rameau, Alexander Paley	A Major	1	11B	130 BPM
Concerto a cinque No. 2, Op. 9: II. Adagio	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	A Major	1	11B	45 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.754331111907959

End: 0.7593443393707275